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Press kit

Selected reviews, biographies ready to use, high-resolution images and contacts for press, curators and festivals.

Selected press

Reviews

“Austere, unsettling, and intellectually rigorous.”

— A Closer Listen, Gianmarco Del Re · Hope for Nothingness as Something (2026) · Read ↗

“It’s overwhelming in the best possible way.”

— Foxy Digitalis, Brad Rose · Hope for Nothingness as Something (2026) · Read ↗

“A beautifully crafted and delicately constructed work.”

— IGLOO Magazine · Hope for Nothingness as Something (2026) · Read ↗

“Un atto d’amore per l’elettroacustica.”“An act of love for electroacoustic music.”

— SoWhat, Stefano Bonifazi · Hope for Nothingness as Something (2026) · Read ↗

“This band knows how to clothe its drone in drama.”

— CVLT Nation · Architeuthis Rex — Stilbon Is Dead (2016) · Read ↗

« De plus en plus hanté […] et de plus en plus incantatoire. »“Ever more haunted […] and ever more incantatory.”

— Des cendres à la cave · Architeuthis Rex — Stilbon Is Dead (2016) · Read ↗

“Un occultismo psichedelico che insegue l’orrore.”“A psychedelic occultism chasing horror.”

— Music Addiction · Architeuthis Rex — Stilbon Is Dead (2016) · Read ↗

“Architeuthis Rex, sono un nome su cui puntare.”“Architeuthis Rex are a name to bet on.”

— OndaRock, Gianni Avella · Architeuthis Rex — Urania (2011) · Read ↗

“A fantastic exploration of concept and sound.”

— Brainwashed · Architeuthis Rex — Urania (2011) · Read ↗

“All in all a fantastic album.”

— Dayz of Purple and Orange · Architeuthis Rex — Stilbon Is Dead (2016) · Read ↗
Also featured in
  • — Blow Up, magazine, issue 335 — Hope for Nothingness as Something (2026)
  • — Blow Up, magazine, issue 216 — Architeuthis Rex, Stilbon Is Dead (2016)
  • — Joyful Union Cassette Resource, review — Hope for Nothingness as Something (2026)
  • — Son of Marketing, album stream — Hope for Nothingness as Something (2026)
  • — unruhr, review — Architeuthis Rex, Stilbon Is Dead (2016)
  • — The New Noise, review — Architeuthis Rex, Eleusis (2013)
  • — Don't Count On It Reviews, review — Architeuthis Rex, Eleusis (2013)
Interviews
  • — The New Noise, “Di tentacoli e abissi…” — in-depth feature on the Architeuthis Rex discography, with an interview with Antonio Gallucci and Francesca Marongiu (in Italian)
Radio
  • — rovr.live, “The Weight of Atmosphere” by Leena Lee · Hope for Nothingness as Something
  • — Fango Radio, “TAPE IN” by Gianmaria Aprile · Hope for Nothingness as Something

Selected mastering credits

Mercurial Studio

More than fifty releases mastered for other artists and labels.

  • — Rune Clausen / Mads Henning Jensen / V_DL · Made from Ashes (Grubenwehr Freiburg, 2026)
  • — Machinefabriek · Samen (self-released, 2026)
  • — Francesca Marongiu · Still Forms in Air (Umor Rex, 2025)
  • — Various · Cohesion — We Stand Together for the People of Ukraine (Midira Records, 2022)
  • — Otto Lindholm & Jean D.L. · Apophenia (Midira Records, 2021)
  • — Jarmo Huhta · Midair (Midira Records, 2020)
  • — SabaSaba · Metabasi (Maple Death Records, 2020)
  • — Machinefabriek · Zinder (Nomad Exquisite, 2019)
  • — Gareth Davis & Duane Pitre · Nótt (Midira Records, 2019)
  • — øjeRum · 7 Sjæle (Midira Records, 2019)
  • — Daniel W J Mackenzie & Richard A Ingram · Half Death (Midira Records, 2019)
  • — Giulio Aldinucci and The Star Pillow · Hidden (Midira Records, 2018)
  • — The Star Pillow · Symphony for an Intergalactic Brotherhood (Boring Machines, 2018)
  • — Christoph De Babalon · Live at Dance Affliction (Dance Affliction, 2017)
  • — Weightausend · Went Berserk (Haunter Records, 2017)
  • — Anton Mobin & Takanobu Hoshino · Innsbroke / Primitive Future (Observatoire, 2016)
  • — Lee Noble · Darker Half (Black Moss, 2012)

Biographies

Ready to use

Extended biography →

Short biography · English

Antonio Gallucci is an Italian electroacoustic composer and sound designer based in Pistoia. His work spans modular and FM synthesis, drone, acousmatic and generative composition, and sound design for museum exhibitions. He has released music on Utech Records, Midira Records and Dinzu Artefacts, and collects his long-form works in the Sheffer Stroke archive.

Medium biography · English

Antonio Gallucci is an Italian composer, sound designer and sound engineer based in Pistoia, where he runs Mercurial Studio. His music moves between electroacoustic research, modular and FM synthesis, ambient-drone and generative systems. Active in the experimental underground with throuRoof and Architeuthis Rex (Utech Records, Midira Records), he composes sound environments for museum exhibitions in Solofra, Sassari and Matera, and has mastered more than fifty releases for labels such as Midira Records and Haunter Records. His 2026 album Hope for Nothingness as Something (Dinzu Artefacts) was reviewed by A Closer Listen, Foxy Digitalis, IGLOO Magazine and Blow Up.

Images

Exhibitions & labels

Sound for exhibitions
  • — 2024 · A cì appartjn? Vicinati. Etnografie di oggetti · Musei nazionali di Matera
  • — 2023 · La forma dell’oro. Storie di gioielli dall’Italia antica · Museo Nazionale G. A. Sanna, Sassari
  • — 2021 · Archaeological section · Museo Civico Città di Solofra
Labels
  • — Dinzu Artefacts (Los Angeles) · Midira Records (Germany) · Utech Records (USA) · Sturmundrugs Records · Sheffer Stroke

Press contact

Interviews & materials
Email
antonio [at] shefferstroke [dot] com